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Monday - October 4, 2004:

The comic world often confuses me. On the one hand, I am more excited creatively about the medium that I have ever been in my life. On the internet, neat things related to comics are sprouting up every time I take a look. This month's interview with Eddie Campbell is really very good. On several levels, his ideas about the form run parallel to mine, the major difference: He makes a living at comics while I doubt I ever could. He seems to be on the edge between my two comic worlds, one faded, one bright.

I'm fascinated by where he draws his lines though. Experiment with form as long as it fits on paper. Experiment with delivery as long as it can be sold. The subtext seems still to be that it's not really comics unless someone buys and someone's making a living off of. I have some pretty radical thoughts on making a living from comcis. I'll share them at length some other time. If you're curious meantime, you've got some digging to do. A little more than a year ago, I was involved in some debate over my theories in the web-comics theory section at talkaboutcomics. A couple of people I spent the day with seem to make their livings, at least in part, through comics.

I spent my Sunday making my way through the digestive tract of the comic world, a small-town comic book show. The room was half filled with dealers, one tenth filled with fans and two fifths filled with empty tables and low expectations. I think everyone made their table money back, but little else. I sold a few old Avengers for less than half-guide, a Daredevil 11 in good condition for $10, and about two hundred quarter books. There was a bit of excitement at the show though. The cast-offs from a major internet sales house showed up in the form of fifty long boxes at one dollar per book, low grade gold, literally. I wandered over and shoved my way through ten dealers who were swarming around the boxes just before the show opened to the public. I picked up a fine condition copy of Aquaman 31, some lower grade fifties TV and movie books, including a Leave It to Beaver, Tarzan and Roy Rogers, some fifties Disney books and a few early strip reprints of Dick Tracy, Joe Palooka, Felix the Cat and Little Orphan Annie. I stashed my books away and settled back behind my table, hoping to make back the $25 I'd spent. Near the end of the show, a comic artist, one of the usuals at the show finished up his rounds digging through the long boxes at the infamous dollar table. He pulled out a copy of the first book he'd ever drawn. Its price had dropped to a little more than a quarter. An odd scene ensued as dealer asked artist to sign the book. It was then quietly put behind the table, bound for a place of no honor I'd wager.

No fan-boys. No paychecks. No value. Profit and such small profit out the back end of the comic world. Wrinkled, flipped through, rejected, faded, rotting, smelling, is this the best print comics can muster? Can web-comics do any better?

No fan-boys. No paychecks. No value. Profit and such small profit out the back end of the comic world. Wrinkled, flipped through, rejected, faded, rotting, smelling, is this the best print comics can muster? Can web-comics do any better?

Fade not pixel.

 

-Bob Stevenson 

 

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Bob Stevenson ||    External Homepage ·  Blog · 

artist, history teacher, programmer, world traveler ... full profile
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